Healing is the central focus of the Meno Ya Win Health Centre
The Meno Ya Win Health Centre is a hospital built in Sioux Lookout in 2012 and serves a population spread over a large geographical area. Health Centre clients come from 29 First Nations communities spread across Northern Ontario, as well as Sioux Lookout, where there is a non‐Aboriginal population with its own rich culture. “’Meno Ya Win’ is an Anishinaabe term that connotes health, wellness, well-being and individual spiritual, mental, emotional and physical wholeness.’1
Interior Designer: Taeko Rhodes, ARIDO
Design Team: Ena Kenny, ARIDO
Design Firm: Stantec Architecture
Project Joint Venture: Douglas Cardinal, Douglas Cardinal Architect Inc
Project Photographer: Richard Johnson
With a First Nations associate architect guiding the design team, many important aspects of Aboriginal culture were incorporated in the planning and design of the facility. The principal concept behind the master plan was a circular path, 350 meters in diameter, cut through the forest and providing access to each building on the campus.
This path is a representation of the Medicine Wheel, an Aboriginal healing concept with symbolic meanings at each of the four cardinal directions. Within that framework, the objective of the interior design of the facility was to create an integrated healing environment, that would blend First Nations culture with the surrounding environment. Symbols of the primordial elements, earth, fire, air and water, are represented throughout the whole centre.
The main Gathering space is a heavy timber structure, oriented east, towards sunrise. Sunlight fills the space through a large octagonal skylight, and below, a central ‘fireplace’ built-in tempered glass, lit with LEDs, and circled by red pipestone. An epoxy terrazzo floor depicts a traditional sunburst pattern, and circles the pipestone, while a black granite waterfall next to the recalls an element that is vital to all living things, and provides a soft burbling sound.
A Ceremonial Room was built for First Nations ceremonies and healing and repeats the important wheel shape, with an actual earth firepit, bordered by natural stone and walls clad in cedar.
The canoe‐shaped Ambulatory Lobby is built in structural timber with a clerestory window, flooding the space with natural light, while underfoot, a flooring pattern suggests the movement of water.
Throughout the inpatient wing, long walls of windows provide views to a series of landscaped courtyards, further reducing the institutional image. The circular pattern of the Medicine Wheel is also present in the cubicle curtains and floor pattern throughout the hospital as a metaphor of healing.
By incorporating Aboriginal symbols like the Medicine Wheel and the four elements into the design, the hospital resonates with patients and the greater community as a healing place. The architecture and the interior design successfully bridge the gaps between Aboriginal and non‐native cultures.
1. SLMHC Website
Independent expression and creative freedom in retail
For outerwear brand Moose Knuckles, a desire to engage with customers beyond wholesale led to their transition into proprietary retail shops. Their first store, in...
Creating a human-centred experience for Home Trust Company
When Ray Inc. was approached by Home Trust Company to renovate their 25th and 26th floors, they wanted a new approach to the employee experience that encouraged collaboration...